(This review was originally posted on Fantasy Faction in February 2013.)
Think
you know fairy tales?
Think again.
Dreams and
Shadows
by C. Robert Cargill is initially the story of Jared and Tiffany Thatcher and
their life together, from high school sweethearts to newlyweds to loving
parents. They have a baby son, Ewan, and are for all intents and purposes, the
perfect family.
That
is until something terrifying and monstrous skitters through Ewan’s bedroom
window one night and replaces him with an evil changeling, taking the young
child for itself and spiriting him away to the world of the Limestone King –
the world of faeries.
Dreams and
Shadows
is an absolute masterpiece of sheer imagination and lyrical storytelling.
Although every one of the fantastical creatures and concepts Cargill has
included in the novel have their roots in real folklore, the way in which he
has brought each idea into a modern novel and fashioned his own version of a
fairy tale out of them is incredible.
The
main narrative of the novel follows the story of two children – Ewan Thatcher
and his early life in faerie, and Colby Stephens, a boy who meets a Djinn (Genie)
in the woods near his home and makes an ill-advised wish that sees his life
change forever.
But
Dreams and Shadows goes further than
a simple narrative. Cargill intersperses the novel with excerpts from a
fictional book which serves to explain the nature of each different fairy. The
story of the Djinn in particular is a real highlight, reading like Cargill does
Arabian Nights.
It
is a dark and severely twisted tale – and is never what you expect. The first
third of the novel is mostly set-up (and what a bizarre and entrancing set-up
it is) but the tension ramps up to excruciating depth once we’re introduced to
a new batch of characters. A group who decide to go on a romantic camping trip,
deep in the dark of the forest.
The
characters in Dreams and Shadows are
a delightfully twisted bunch of faeries, humans and creatures from the
netherworld. Every one of them is more intriguing than the last – and each is
fighting for something. The world of humans and faeries are always a hair’s
breadth away from each other, and at the centre of it are two boys – Ewan and
Colby. Both serve as the readers lens into the world of the Limestone King,
switching roles at different points in the book.
The
world that Cargill has cobbled together from different elements of folklore is
one of monster, magic, love and horror. It is a world of dark nights by cool
forest glades, midsummer fairy council meetings and bloody death in every form.
Dreams and
Shadows
has elements of Gaiman, Rothfuss and the Brothers Grimm themselves. But make no
mistakes, this is Cargill’s novel – a majestic tale of love in the shadows and
death in bloody dreams. It’s an astounding novel, and hard to believe this is
Cargill’s debut. If he ever decides to return to the world of the Limestone
King, I’ll be there.
Thanks to Gollancz for supplying me with an advance review copy of this book.
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